Dreamtimes proposes a territory where time ceases to be linear and experience unfolds through memory, desire, and the logic of the dream. The exhibition brings together works that explore liminal states—between wakefulness and sleep, the ancestral and the contemporary, the intimate and the collective.

The title evokes the notion of “dreamtime” not only as a psychological space, but as an expanded dimension of knowledge. In these works, dreaming is not an escape but a critical tool: a way to reimagine reality, challenge dominant narratives, and open alternative possibilities of existence.

Situated in New York as a site of cultural convergence, Dreamtimes reflects the coexistence of multiple temporalities. The works engage with personal mythologies, archaic symbols, and contemporary visual languages, constructing landscapes that resist fixed categorization. Here, the image functions as a threshold—inviting the viewer to inhabit it rather than decode it.

The exhibition understands art as an act of sensitive translation between worlds. Each piece operates as a fragment of a larger, open-ended narrative, where meaning is activated through the viewer’s perception. Dreamtimes does not seek definitive answers, but states of attentiveness: a pause within the accelerated rhythm of the city, a space to remember that imagination itself can be a form of resistance.