BIOGRAPHY
His miniature works allow him to indirectly experience the gaze of power that monitors and controls society.
He swept all kinds of art awards with his tenacity to come up with the word “people of patience and perseverance.”
When the exhibition was held, visitors were infested.
Currently, as the representative of Sangsanggongjakso, he is pursuing the development of the most important abilities for child development,
such as children’s curiosity, exploration, self-direction, and creativity. This is an experiential art research institute that plans and produces enjoyable exhibitions. It provides five senses satisfaction experience to children aged 3 to 7 and has established itself as a future-oriented experience space and cultural space such as national and public daycare centers. He is promoting exhibition planning projects such as children’s cultural experience exhibition planning, cultural experience content development, creative art education program development, art academy management business, teaching aid development, infant and toddler education institutions, national and public art galleries, museum exhibition planning, and festival experience programs.
CV
-Graduation
Graduated from Sungkyunkwan University’s Department of Art Education
Graduated from Chung-Ang University Graduate School of Arts
-Individual Exhibition
Biennale of Literature and Art(2024)
Invitation to Bridge Gallery (2014)
Joheung Gallery Special Invitation Exhibition (2004)
Kwanhun Gallery (2002)
Invitation to Changwon Gallery (1999)
GongsanArt Festival Invitational Exhibition, Dong-A Gallery (1995)
-Awards
The 2nd Special Exhibition of the Dong-A Art Festival
The 3rd Songeun Art Awards
The 3rd KBS Natural Environment Art Exhibition Awards(Grand Prize)
The 9th Gwangju Art Awards (Grand Prize)
The 1th Gongsan Art Festival (Grand Prize)
STATEMENT
I would like to experience a new interpretation of the problems of space and gaze from various angles, away from the gaze of a limited story. When looking at an object, the object may look very different depending on the location and distance of the viewer. When looking down from a very tall building or from an airplane in the air, the space in which you usually live will look miniature. This gaze, similar to the three-way method or the plateau method shown in oriental landscape paintings, allows you to see a wider range of things you could not see when viewed from above the earth by keeping a distance from an altitude.
The feeling of the lawn or earth is transferred to the canvas as if a part of the earth’s surface has been cut out. I want to question those who see it. Plants fly in the wind on the green and black surface, just as objects seen from a distance move calmly while inducing a reinterpretation of nature. You can look at the work through a vertical gaze because the surface also has a stratum structure. However, I want to explore various interpretations of the view and the meaning of objects and find hope as there is an arrangement of depth.
