BIOGRAPHY
Born in Buenos Aires, capital of Argentina, in the Palermo neighborhood, in 1978. As a child he was influenced by the artistic environment, thanks to his Aunt Lotty Inchauspe, a reference in the painting world at that time. Little by little he took the profession more seriously, he took an exam at the age of 17 to enter a school specialized in plastic arts in an academic manner, with the 4 fundamental pillar subjects such as Drawing, Painting, Sculpture and Engraving, He finished in 2002 with a tertiary degree as a Professor of Drawing. From there he continued teaching in various public schools and also trained several people in his personal workshop in Palermo.
CV
Training
2018 Workshop with Painters Vincent Desiderio and Bernardo Siciliano in Orvieto, Italy
2010 – 2012 Drawing and Painting Workshop shared with Eduardo Faradje
2006 – 2007 -Gennaro De Tommaso Workshop
2003 – 2004 -Postgraduate Seminar (in Cárcova) by Sumi E with Carlo Gilardenghi
1998 –2002 Prilidiano Pueyrredón University (Tertiary Degree)
2001-2002 Alejandro Boim Workshop
1997 2001 -Alberto Klix Workshop
2020-2022 Various Sculpture Courses
2023 Sculpture Workshop with David Simon The Rome Workshop
Individual samples
2016 with Carlos Muslera at the Pasaje Ocho Seis Cinco Foundation Gallery
2014 The Serpa
2012 The Reactor
2000 Casa De La Pampa Gallery, “Sleeping Youth” Exhibition
Collective Exhibitions and Salons
2023 Arte Co Fair with the Orto Gallery (Corrientes)
2023 Group Show at Wooda Gallery
2021-2022 Extraño Ser¨ Exhibition at the Municipal Museum of Lanús.
2021 *Skate Park in Popa Galería, Barrio de la Boca.
2019 Amalita Fortabat Hall, Fortabat Museum
2018 Symbolist Brotherhood* at Vermeer Gallery, Retiro neighborhood
2018 Manuel Belgrano National Painting Hall, Sívori Museum, Cap. Fed, Buenos Aires, Argentina
2018 Shows a Good Plan by Participating with a Mural, Barrio Colegiales, Cap. Fed, Buenos Aires Argentina
2017 Casa Carnacini Small Format Exhibition
2016 Symbolist Brotherhood* in ECA of Mendoza, Former Central Bank
2016 Landscapes Collective Exhibition in Pasaje 865 Art Gallery
2016 Collective Car Show at Central Newbery Art Gallery
2016 Art Fair at MOMA NY
2016 Exhibition at the XLIVth Tucumán Painting Hall for the national level, Province of Tucumán
2016 Areatec Biennial Painting Show
2016 Symbolist Brotherhood* in POPA Gallery, Barrio de la Boca
2015 Sample at El Serpa 35 X 50
2015 Art Fair at MOMA, NY, USA
2015 First Place in the National Painting Salon UNNOBA Acquisition Award, Province of Buenos Aires
2015 Exhibition in Bacchus with Nicolás Guardiola “Horns and Clay Masks”
2014 1st Place XXXVI National Painting Hall “Fernán Félix de Amador” Luján, Province of Buenos Aires
2013 Selection 102nd National Painting Salon PALAIS DE GLACE
2013 2nd Place National Exhibition of Sacred Art Tandil MUMBAT, Luján, Province of Buenos Aires
2012 BCN Exhibition (Library of the National Congress)
2011 2nd Place XXXIII National Painting Hall “Fernán Félix de Amador” Luján, Province of Buenos Aires
STATEMENT
Through my veins runs the blood of Salvatore Rosa, a multi-faceted Italian artist of the seventeenth century, active in Naples, Rome and Florence, in various fields. As a painter he has come to be described as unorthodox and extravagant and an eternal rebel, characteristics that we share and perhaps define my work.
In each work I seek that my language can be translated as surrealism or magical realism, in permanent dialogue with other movements and currents of the plastic arts. The management of time and the dreamlike are indisputably constitutive of both my work and its spirit. Each painting is a journey to an unexpected magical place, as realistic as it is fantasy, an eternal return to the ambiguity that inhabits us.
One of the series of my paintings, inspired by the spirit of ancient Arcadia, located in the Peloponnese region, in Greece; is nothing more than an attempt to approach the aesthetic, utopian, heavenly, idealized to the conjunction of my paintings and my own identity. And so I would paint landscapes, I would paint moments, bodies, skies and valleys. Rhymes would be glossed to praise life, and to bring the sensation of beauty closer to reality, to represent it in a specific space, from a floral scene to a grandiose, generally mythological scene. Always with the hope of transforming that mythology, which would transcend me, with the profane, simple, colorful and classic boast of composing the metaphysical certainty that now, the inevitable would be nothing more than the duty to maintain forever, that same indelible, mythical and so hidden spirit of Arcadia.
