{"id":407452,"date":"2026-08-23T22:40:02","date_gmt":"2026-08-24T01:40:02","guid":{"rendered":"https:\/\/galeriaazur.art\/?post_type=product&#038;p=407452"},"modified":"2026-09-02T11:25:46","modified_gmt":"2026-09-02T14:25:46","slug":"god-the-cosmos-and","status":"publish","type":"product","link":"https:\/\/galeriaazur.art\/esp\/artwork\/god-the-cosmos-and\/","title":{"rendered":"GOD, The COSMOS, And\u2026"},"content":{"rendered":"<p>GOD, THE COSMOS, AND\u2026<\/p>\n<p> (March 2025)<br \/>\nAcrylic, drawing, white pigment, collage, black ink<\/p>\n<p>There is the presence of a divine figure, seated at the centre, with what appears to be a horse, or an equine creature, behind him. Yet all around him, everything is unstable.<\/p>\n<p>\u2014 A divine figure seated upon a world in chaos. We know it is God: it is written on the cardboard.<\/p>\n<p>The word \u201cGOD\u201d is not inscribed on any noble or sacred material. It appears on a torn piece of cardboard, like a fragment salvaged from among the debris. A presence that has become almost residual: who still remembers God in a world governed by consumption, acceleration and indifference? It is almost as though the word itself has been relegated to the refuse.<br \/>\nSeated upon a world saturated with activity, God seems to observe without intervening. Around him, machines, smoke, architecture and signs of intense activity intertwine within a landscape where industry appears to have taken over everything.<\/p>\n<p>An equine creature, almost mechanical, emerges behind him.<\/p>\n<p>The industrial world seems to have exceeded itself. Even the horse accompanying God appears contaminated by this machinery. It emerges as if from nothingness \u2014 from the Cosmos.<\/p>\n<p>A divine presence, but one offering no promise of salvation.<\/p>\n<p>\u201cMan is restless. The world accelerates. God, however, remains seated.\u201d<\/p>\n<p>There is a distinctly dark dimension to the work: God seems to have ceased even to wish to intervene. The work is not necessarily religious in any traditional sense; rather, it raises questions about responsibility, progress, civilisation and the exhaustion of our world.<\/p>\n<p>The pentimento is also employed here as a technique \u2014 almost a metaphor for my work itself: something is concealed, yet refuses to disappear completely. Things are hidden.<\/p>\n<p>I work through accumulation, layering, covering, erasure and reappearance. Collage, drawing and painting overlap; certain signs are deliberately crossed out or concealed. What disappears nevertheless continues to exist beneath the surface.<\/p>\n<p>Here, God no longer judges.<\/p>\n<p>He watches.<\/p>\n<p>Humanity, meanwhile, moves frantically.<\/p>","protected":false},"excerpt":{"rendered":"<a href=\"https:\/\/galeriaazur.art\/esp\/artist\/frederic-monroe\/\">Fr\u00e9d\u00e9ric Monroe<\/a>","protected":false},"author":3213,"featured_media":407453,"template":"","meta":{"_et_pb_use_builder":"o","_et_pb_old_content":"","_et_gb_content_width":""},"product_cat":[489],"product_tag":[],"acf":[],"_links":{"self":[{"href":"https:\/\/galeriaazur.art\/esp\/wp-json\/wp\/v2\/product\/407452"}],"collection":[{"href":"https:\/\/galeriaazur.art\/esp\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/galeriaazur.art\/esp\/wp-json\/wp\/v2\/types\/product"}],"author":[{"embeddable":true,"href":"https:\/\/galeriaazur.art\/esp\/wp-json\/wp\/v2\/users\/3213"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/galeriaazur.art\/esp\/wp-json\/wp\/v2\/media\/407453"}],"wp:attachment":[{"href":"https:\/\/galeriaazur.art\/esp\/wp-json\/wp\/v2\/media?parent=407452"}],"wp:term":[{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/galeriaazur.art\/esp\/wp-json\/wp\/v2\/product_cat?post=407452"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/galeriaazur.art\/esp\/wp-json\/wp\/v2\/product_tag?post=407452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}