BIOGRAPHY
Meeyoung Nam explores the visual fusion and connection beyond boundaries by artistically distributing golf, flowers, birds, and objects with the motif of Chosun folding screens, reflecting the artistic pursuit of their ancestors and moving towards the future while viewing the Chosun folding screen exhibition.
In addition, she seeks the sweetness, beauty, and pleasure of everyday life, but she never forgets Vanitas and Memento Mori in fullness, like Dutch artists of 17th.
CV
M.F.A., Ewha Womans University, College of Fine Arts
B.A., Department of Living Arts, Ewha Womans University College of Fine Arts
Academy of Art College in San Francisco
Former lecturer at Seowon University, Seoil University, Suwon University of Science and Technology
Exhibition & Art fair
2024 Art Vancouver, Vancouver Convention Center, Canada
2024 LA Art Show, LA Convention Center, LA
2024 L.A.L.A. Group Exhibition, Jageun Art Museum, Starfield Goyang
2024 Xavier art fest, Fr. Rafael cortina sports center manila
2023 AFAF(ART FAIR ASIA FUKUOKA), Marine Messe Fukuoka
2023 Home table deco fair, Coex
2023 The 39th Visual message, Merge e. Merge, Desan Gallery Seoul
2023 Korea & Japan companionship exhibition of contemporary art, Insa art center
2023 The 58th Korean christian artist association exhibition, Insa art plaza gallery
2022 Vivian’s santa factory, Pink gallery
2022 Invitational Exhibition, Seoul National University of Education, Sam Art Museum
2022 The 11th Pink Art Fair Seoul(PAFS)
2022 The 18th Japan-Korea Contemporary Art Exhibition, Osaka
2022 The 18th Sun.Relation, Kaiye University Gallery, Osaka
2022 Picnic Exhibition CHOICE ART COMPANY, Seoul
2022 BLUE Art Fair Westin Josun, Busan
2015 Le Beau Depart, Johyung Gallery, Seoul
2014 Le Beau Depart, Johyung Gallery, Seoul
2014 Solo Exhibition GAMME, GAMME, Johyung Gallery, Seoul
2013 Le Beau Depart, Sculpture Gallery, Seoul
2011 PARK FINE ART, New Mexico, U.S.A
2011 YU SHIN Museum of Art,Harbin,China
2012 CHAE UM Gallery, Moo Ju CC, Korea
1995 50th Anniversary Exhibition of Ewha Womans University College of Fine Arts, Ewha Womans
University Museum of Art, Seoul
1995 Visual Measage, Ewha Womans University Museum of Art, Seoul
1994 Visual Measage, Dongbang Plaza Museum of Art, Seoul
STATEMENT
When I first started working on ice cream, the shape was ice cream, and the expression underlying it was an ice cream work that introduced abstract expressionist techniques.
Since then, it has evolved and changed in various ways.
In preparation for this exhibition, I was able to express my inner freedom by using Jackson Pollock’s drip or action painting, a master of abstract expressionism.
Expanding on my ice cream work – the running ice cream car, the carousel, evokes our fragmented childhood memories and takes us back to the joyful childhood.
The endlessly moving carousel seems to be the perfect technique to represent speed through dripping.
Pollock’s works appear to be chaotic patterns from a distance, but up close, the diverse and unique patterns harmonize with each other. Conversely, the paintings of the artist appear to be one beautiful form from a distance, but up close they are a complex, chaotic pattern of horizontal lines.
When dribbling, I dipped the stick into the paint and lifted it up, creating a continuous stream of water that ran down the canvas, moving my arm at different speeds to control the amount of coiling.
Ironically, Pollock was killed in an automobile accident, and in Pollock’s way, I painted a speedy car, pursuing nature in its natural form.
I would like to pay tribute to the greatness of Pollock’s work.
