BIOGRAPHY
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CV
Graduated from the Academy of Art in Novi Sad in 2005, studying under Professor Zvonko Tilić. She completed her post-graduate studies at the same institution in 2011, specializing in Manual Printing. A member of ULUV since 2004, she has made significant contributions to the art community.Currently, teaches drawing, manual printing, and theory of form at the Secondary School for Design Bogdan Šuput in Novi Sad, Serbia.
Solo Exhibitions
• 2003: Gallery Stari prostor, Manual Prints, Novi Sad, RS
• 2004: Gallery Da, Manual Prints, Novi Sad, RS
• 2004: Gallery Šok, Installation, Novi Sad, RS
• 2006: Gallery ULUV, Paintings, Novi Sad, RS
• 2007: Gallery of the Cultural Center, Drawings, Novi Sad, RS
• 2007: Bejahad Festival, Drawings, Opatija, HR
• 2008: Gallery Novi Hram, Drawings, Sarajevo, BA
• 2009: Gallery Couchzone, Manual Prints and Paintings, Innsbruck, AT
• 2011: Gallery SKC, Manual Prints, Belgrade, RS
• 2011: Academy of Art, Post-Graduate Exhibition of Manual Prints, Novi Sad, RS
• 2012: Gallery MU MOL, Manual Prints, Ljubljana, SL
• 2012: Gallery Il Belpaese, Manual Prints, Drawings, Paintings, Novi Sad, RS
• 2013: Arps Gallery, Manual Prints and Drawings, Amsterdam, NL
• 2014: Espresso Embassy, Manual Prints and Drawings, Budapest, HU
• 2014: Gallery Šok Zadruga, Drawings and Paintings, Novi Sad, RS
• 2015: Gallery MLB, Manual Prints, Amsterdam, NL
• 2016: Gallery Stari Grad, Manual Prints, Kotor, MNE
• 2018: Cultural Station Eđšeg, European Days of Jewish Culture, Drawings and Manual Prints, Novi Sad, RS
• 2019: Gallery MLS, Manual Prints and Collages, Novi Sad, RS
• 2020: Gallery Šok Zadruga, Digital Prints, Novi Sad, RS
• 2022: Gallery American corner, Paintings and Digital Prints, Novi Sad, RS
Participated also in numerous collective exhibitions both locally and internationally.
Awards
• 2004: Most Promising Student in Manual Printing, Art Klinika
• 2005: Award from the University of Novi Sad for Academic Excellenc
STATEMENT
My cities, the urban spaces I depict, reflect the personal, the cognitive, and the intimate. The space I shape erases boundaries; it is both internal and external, protective and revealing. It is metaphysical, laden with hints, echoes, and the hidden, unspoken flows of our inner being.
Fasades create a stage on which I narrate stories of dreams, desires, expectations, and the transient nature of the ordinary. These moments, snippets, and fragments of life are captured in fleeting instants, frozen just enough for us to observe while lingering in the realm between remembrance and oblivion.
Openings in the facades, architectural elements, and the inhabitants of this world complement this imaginary space, carrying symbolic meanings that can be interpreted subjectively. Subconscious contents dictate forms that materialize spontaneously, unburdened by the messages they convey. My work comes to life through play, as it is my pathway to reach the essence of myself and what I wish to share.
