Emily Strulson is an abstract painter. Her art focuses on the exploration of patterns tied to emotions. Specifically, seeing similarities in celebrations and conflict within natural cycles as well as life experiences. The work itself is unstructured, spontaneous and abstract featuring intense colors.

Strulson draws from her personal experiences with her students – specifically their uninhibited nature, the natural world and love for other cultures to create her work. She believes there is an interconnectedness amongst people and the environment. Moreover, our relationships with each other and the world we live in is paramount to the way in which we experience life.

Watered down acrylic paints and pastels applied to watercolor paper are used in Strulson’s work. The interaction of these materials reflects the juxtaposition of a very precise medium against a chaotic design. The layering of paint represents the feeling of being immersed in the work with the hope of conveying a message.

Strulson is passionate about abstract art because of the spontaneity of the process and emotional connection to the viewer. This style of art asks the viewer for a reaction. In this case, to stop moving and pay attention to the moment.

Emily started painting realism and researching African art at St. Lawrence University. This traditional art education coupled with a Masters of Arts at Catholic University became the cornerstone of her practice that evolved into abstract painting. She has taught art for 20 years to children in public and private schools as well as private lessons.

Emily Tucker Strulson

3801 Underwood Street, Chevy Chase, MD 20815 ·

(202) 494-5229 ·emilystrulson1@gmail.com

emilystrulson.com Instagram @emilystrulson

EDUCATION

Catholic University, Masters in Art Education, K-12. October 2008

St. Lawrence University, B.A., Fine Arts and African Studies May 1999

AWARDS

Adams Morgan Art festival Honrable Mention (2003)

Adams Morgan Art Festival Best in Show (2002)

Sol Feinstone International Study Prize, St. Lawrence Univeristy (1997)

SOLO EXHIBITIONS

Artists on the Driveway (2023)

Grasshopper Gallery (2022)

Plaza Art (2022)

The Den Coffee House at Politics and Prose (2021)

Artists one the Driveway (2021)

Hera Hub (2021)

Hera Hub (2020)

Artists on the Driveway (2020)

West End Plastic Surgery (2019)

The Den Coffee House at Politics and Prose (2019)

GROUP EXHIBITIONS

Launch Workspace, Washington DC (2023)

Goldman Art Gallery, Rockville MD (2023)

TTR Sotheby’s, Washington DC (2023)

It’s the Little Things, Girls Who Paint, Kensington MD (2022)

Ch/Art Art Walk October (2022)

Town of Chevy Chase Fall Art Show, MD (2022)

Paint the Town Labor Day Show, Kensington, MD (2022)

Artist Expression In the Face of the Pandemic, MD (2022)

Superfine Art Fair, DC (2022)

Idea Kitchen, NY (2021)

Bluebird Sky Yoga, WDC (2021)

Ch/Art Art Walk, MD (2021)

Wind, District Arts Gallery, MD (2021)

Rockville Art Festival, MD (2021)

Ch/Art Pop Up Show DC (2021)

Women’s Club of Chevy Chase Art Show MD (2021)

We Begin Again, Ch/Art, DC (2021)

Spotlight, Touchstone Gallery, DC (2021)

Alone Together, Women’s Caucus for Art, MD (2020)

March 150, Target Gallery Alexandra, VA (2020)

Capitol Workspace Washington, DC (2020)

Community Art Show Woman’s Club (2020)

Hera Hub, Washington DC (2020)

Gallery B Bethesda, MD (2019)

Ch/Art Chevy Chase Artist Group Connect-Dis/Connect (2019)

Sugarloaf Craft Fair Chantilly, VA (October 2019)

Transformer Auction (2019)

Waverly Street Gallery Change/Transformation Exhibit (2019)

Takoma Park Art Hop (2019)

Rockville Art Festival (2019)

Hill Center Galleries Juried Exhibit Group Show (2019)

Serendipity Labs Group Show (2019)

Hill Center Galleries Tree Exhibit Group Show (2019)

Transformer Auction (2018)

Chevy Chase Town Art Show (2017)

Auction for Seith Meiller Foundation (2006-2008)

Studio Metalworks Group Show (2004)

UPCOMING EXHIBITIONS

The Den Coffeehouse at Politics and Prose (2023)

COLLECTIONS

American Emergency Physicians (2002)

We live in a time in which information moves at a rapid speed. Interruption is the new normal. In my paintings, I slow down and process all of the noise reducing it to an image that portrays the essence of a specific feeling. Often these feelings are familiar because we experience patterns in our relationships, our professions, and the natural environment. In my work, I emulate such patterns through the repetition of line, shape, texture and color. These elements are a larger commentary on the similar situations that arise in our lives.

The central style of my work is abstract expressionism. Specifically, seeing similarities in celebrations and conflict within natural cycles as well as life experiences. The work itself is unstructured, spontaneous and abstract featuring intense colors. The interactions of these bright colors are a courtship of letting go verses maintaining control. One can interpret the representational qualities in my work from the natural world such as plants, flowers, and animals.

I am drawn to abstract expressionism because of the spontaneity of the process and emotional connection to the viewer. This style of art asks for a reaction. Viewers often have a strong emotional response.

The different elements of my work include watered down acrylic paints and pastels applied to watercolor paper. The interaction of these materials reflects the juxtaposition of a very precise medium against a chaotic design. The layering of paint represents the feeling of being immersed in the work with the hope of conveying a message.

The ideas for my paintings are generated through personal experiences with my students, the natural world and love for other cultures. I often view the world in pictures – meaning I look at a composition of subjects and take a mental photograph. This process helps me to remember the places, experiences and feelings in exact moments that contribute to my work.

My art practice was born in the realm of realism, observational drawing and painting, and grew into abstraction through my fascination with African art. Currently, I am focused on the emotional spontaneity of abstract art and the patterns we experience in our lives. My hope is that viewers will stop moving and pay attention to the moment.

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