BIOGRAPHY
It is during a theatrical performance that a 12 year old Anne-Catherine Favier came to the realisation that art would be her means of expression.
She is a painter who studied the art of theater at the Montpellier Conservatory, and then that of painting using the méthode Martenot at the V. Griffon workshop.
Her artistic quest lies in letting chaotic landscapes embedded with light emerge from the deep and intimate magma.
For 25 years, she has been accompanying young people with disabilities. It is an opportunity for mutual exchange and development, particularly in terms of adaptation and hence of letting go, a process which is at the heart of her work.
CV
Sélection
– Salon Art3F (Bruxelles) 2022
– Galerie Francis Barlier (Paris) 2022
– Salon Art Shopping. (Paris) since 2021
– Galerie Roz in Winter (Barbizon) artiste permanente since 2022
– Galerie Mona Lisa (Paris). 2022
– Galerie Libre est l’Art. (Paris) since 2021
– Galerie Artitude (Paris ) since 2011
– Galerie Xinhua (Paris ) 2018 à 2021
– Ventura Gallery ( New York) 2016 à 2019
– Hôtel Martinez (Cannes ) 2018
– Exposition CHINE (Pékin Shanghaï Shenzhen Qingdao) sélectionnée lors de l’exposition d’Aulnay sous Bois mars 2015 – 2021
– Centre chinois d’Art et de Création Aulnay avril-juin 2015 et 2016
– Galerie Bog Art (Bruxelles) 2016
– Exposition en permanence Home Contemporain Paris depuis 2010
– Saint Laurent de Lolmie (prix) 2014………
STATEMENT
My work is rooted in an intimate exploration.
This introspection enables not only to get in touch with our common roots, but also to reveal the deepest, most secret parts of ourselves.
This human magma and all its flaws and obscurities, from which the light emanates, is released onto the canvas as a true breath of life.
Through the process of meditation, I find the necessary awareness, breath and release to reach this origin.
This encourages a deep descent, fundamental to capturing that which lies in the obscure realm of our consciousness.
These chaotic landscapes are expressed through abstraction, which in turn allows me to translate most effectively the energy of life.
More often than not, square formats are used as a means to provide an opportunity to further explore the work outside of the canvas
